Sacred music

The introductions and first pages of our editions can be viewed by clicking on the links below:

DUETS

Alma Redemptoris mater

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Edited by Dennis Collins.
8pp.
Scoring: 2 sopranos (or tenors), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Alma Redemptoris mater

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  • Description
Edited by Dennis Collins.
8pp.
Scoring: Alto, Tenor, Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Alma Redemptoris mater

 
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Click here to see the first page.
Edited by Dennis Collins.
8pp.
Scoring: Alto, tenor, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Ave maris stella

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Edited by Dennis Collins.
12pp.
Scoring: 2 Sopranos (or 2 Tenors), Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Ave regina caelorum

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Edited by Dennis Collins.
8pp.
Scoring: 2 tenors, bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Ave regina caelorum

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Edited by Dennis Collins.
4pp.
Scoring: Tenor (or Soprano) solo, Bass solo, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Beatus vir

 
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Edited by Brian Clark.8pp.Scoring: SSATB, continuoPLEASE NOTE: This edition does not include a continuo realization.If you require one, please tick the box. Remember, it may take a week to produce a continuo part.If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

This psalm setting comes from Rovetta's 1626 print and, apart from the opening of the Gloria section,
is contrapuntal throughout, with a recurring figure "Beatus vir" giving the piece an overall shape.

Cantate Domino

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Edited by Dennis Collins.
12pp.
Scoring: SATB, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Confitemini Domino

 
A fine setting of the opening four verses of Psalm 104 (105).
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A fine setting of the opening four verses of Psalm 104 (105).
Edited by Dennis Collins.
8pp.
Scoring: Alto, Tenor, Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Credidi

 
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Edited by Brian Clark.
12pp.Scoring: SSATTB, continuo.PLEASE NOTE: This edition does not include a continuo realization.If you require one, please tick the box. Remember, it may take a week to produce a continuo part.If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

Marked "Alla Breve" this psalm setting is written in an older style than many of the other pieces in the 1626 set.
Rovetta combines different pairs of voices to create an ever-varying sonority and uses short imitative figures to build the texture.

Deus in nomine tuo

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Edited by Dennis Collins.
8pp.
Scoring: 2 sopranos (or 2 tenors), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Dies sanctificatus illuxit nobis

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Edited by Dennis Collins.
8pp.
Scoring: Soprano or Tenor, Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Dixit Dominus

 
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Edited by Brian Clark.
8pp.Scoring: SATTB, continuo.PLEASE NOTE: This edition does not include a continuo realization.If you require one, please tick the box. Remember, it may take a week to produce a continuo part.If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

This piece is more soloistic and virtuosic than many of the others from 1626 publication. It alternates Tutti passages with extended solos and duets.

Domine in virtute tua

 
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Edited by Dennis Collins.
8pp.
Scoring: 2 sopranos (or tenors), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

Dominus illuminatio mea

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Edited by Dennis Collins.
8pp.
Scoring: 2 sopranos (or tenors), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Dulcis Christe ad te venio

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Edited by Dennis Collins.
8pp.
Scoring: Alto, Tenor, Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Ego sum qui sum

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Edited by Dennis Collins.
8pp. Professionally printed in Germany by Frick Digital.
Scoring: ATB, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

Ego sum resurrectio et vita

 
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Click here to see the first page of the score.
Edited by Dennis Collins.
8pp.
Scoring: Alto, tenor, bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Exultavit cor meum

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Edited by Dennis Collins.
8pp.
Scoring: 2 sopranos (or tenors), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Gaudete fratres in Domino

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Edited by Dennis Collins.
4pp.
Scoring: 2 tenors (or 2 sopranos), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Jubilate Deo

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Edited by Dennis Collins.
8pp.
Scoring: Soprano or Tenor, Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Laetatus sum

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Edited by Dennis Collins.
20pp.
Scoring: SSATB, 2 violins, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Lauda Jerusalem

 
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Edited by Brian Clark.
8pp.Scoring: SATTB, continuo.PLEASE NOTE: This edition does not include a continuo realization.If you require one, please tick the box. Remember, it may take a week to produce a continuo part.If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

Apart from the Gloria section, which consists of a series of duets, this psalm setting is characterised by its use of imitative points for each of the verses. Particularly illustrative are "quis sustinebit?" and "et liquefaciet".

Lauda Sion Salvatorem

The text comes from St Thomas Aquinas's hymn for the feast of Corpus Christi.
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The text comes from St Thomas Aquinas's hymn for the feast of Corpus Christi.
Edited by Dennis Collins.
8pp.
Scoring: Tenor (or Soprano), Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Laudate Dominum

 
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  • Description

Edited by Brian Clark.
8pp. Professionally printed in Germany by Frick Digital.
Scoring: SSATB, 2 violins, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.