Sacred music

The introductions and first pages of our editions can be viewed by clicking on the links below:

DUETS

Lauda Jerusalem

 
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Edited by Brian Clark.
8pp.Scoring: SATTB, continuo.PLEASE NOTE: This edition does not include a continuo realization.If you require one, please tick the box. Remember, it may take a week to produce a continuo part.If you plan to perform this work with a large choir, please email us to negotiate a special price for extra scores.

Apart from the Gloria section, which consists of a series of duets, this psalm setting is characterised by its use of imitative points for each of the verses. Particularly illustrative are "quis sustinebit?" and "et liquefaciet".

Lauda Sion Salvatorem

The text comes from St Thomas Aquinas's hymn for the feast of Corpus Christi.
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The text comes from St Thomas Aquinas's hymn for the feast of Corpus Christi.
Edited by Dennis Collins.
8pp.
Scoring: Tenor (or Soprano), Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Laudate Dominum

 
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Edited by Brian Clark.
8pp. Professionally printed in Germany by Frick Digital.
Scoring: SSATB, 2 violins, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

Laudate Dominum

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Edited by Brian Clark.
12pp, printed on quality paper and finished by DU Print.
Scoring: SSTTB, 2 violins, continuo.

Click HERE to see the first page of the score.

Performance material by negotiation.

Laudate, pueri, Dominum

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Edited by Dennis Collins.
16pp.
Scoring: SSATB, 2 violins, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Letanie della Madonna

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Edited by Dennis Collins.
12pp. Professionally printed in Germany by Frick Digital.
Scoring: ATB, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

Magnificat

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Edited by Dennis Collins.
20pp.
Scoring: SSATTB, 2 violins, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Missa brevis

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Edited by Brian Clark.
32pp. Professionally printed in Germany by Frick Digital.
Scoring: SSAT(T)B, 2 cornettini (or violins), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

Missa Concertata a4

This mass setting (unusually for a Venetian mass of this period) includes all five sections of the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei.
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This mass setting (unusually for a Venetian mass of this period) includes all five sections of the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei.
Edited by Dennis Collins.
28pp.
Scoring: ATTB, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Nisi Dominus

This mass setting (unusually for a Venetian mass of this period) includes all five sections of the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei.
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This mass setting (unusually for a Venetian mass of this period) includes all five sections of the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei.

Edited by Brian Clark.
16pp, printed on quality paper and finished by DU Print.
Scoring: SATTB, continuo.

Click HERE to see the first page of the score.

Performing material by negotiation.

Nisi Dominus

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Edited by Brian Clark.
20pp, printed on quality paper and finished by DU Print.
Scoring: SSATB, 2 violins, continuo.

Click HERE to see the first page of the score.

Performance material by negotiation.

Nulla scientia melior est

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Edited by Dennis Collins.
8pp.
Scoring: Soprano solo, Tenor solo, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

O gloriosa domina

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Edited by Dennis Collins.
8pp. Professionally printed in Germany by Frick Digital.
Scoring: ATB, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

O intemerata

 
Salmi Concertati, 1626
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Salmi Concertati, 1626
Edited by Brian Clark.
8pp.
Scoring: 2 solo Basses (one with a bottom D), 2 violins, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

O intemerata

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Edited by Brian Clark.
12pp, printed on quality paper and finished by DU Print.
Scoring: 2 basses, 2 violins, continuo.

Click HERE to see the first page of the score.

O Maria quam tu pulchra es

This is a beautiful solo motet was published in the same anthology as the four Monteverdi motets
that Dennis has edited, and shares with them stylish lyricism and demanding passagework.
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This is a beautiful solo motet was published in the same anthology as the four Monteverdi motets
that Dennis has edited, and shares with them stylish lyricism and demanding passagework.
Edited by Dennis Collins.
4pp.
Scoring: Tenor solo, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

O pretiosum et admirandum

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Edited by Dennis Collins.
8pp.
Scoring: 2 sopranos (or 2 tenors), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Quam pulchra es

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Edited by Dennis Collins.
8pp.
Scoring: Soprano solo, Alto solo, continuo. (Or Soprano / Bass, or Tenor / Bass.)
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Regina caeli laetare

 
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Click here to see the first page of the score.
Edited by Dennis Collins.
8pp.
Scoring: Alto, tenor, bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Salve o regina

 
This duet sets a variant of the standard Marian antiphon text.
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This duet sets a variant of the standard Marian antiphon text.
Edited by Brian Clark.
8pp.
Scoring: 2 tenors, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Salve regina

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Edited by Dennis Collins.
12pp.
Scoring: SMTTB, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Salve regina

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Edited by Dennis Collins.
12pp.
Scoring: 2 tenors, 2 basses, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.

Salve regina



One of the composer's best-known works, partly because it was attributed to various other composers,
including Tunder and none other than Emperor Leopold I (where the source says the string parts were by Bertali…)
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One of the composer's best-known works, partly because it was attributed to various other composers,
including Tunder and none other than Emperor Leopold I (where the source says the string parts were by Bertali…)
Edited by Dennis Collins.
12pp.
Scoring: Alto solo, 2 violins, 3 "viole" ad lib. (alto, tenor and bass), continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Salve regina

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  • Description
Edited by Dennis Collins.
8pp.
Scoring: Tenor, Bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Surgamus ergo cantemus ergo

 
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Click here to see the first page of the score.
Edited by Dennis Collins.
8pp.
Scoring: Alto, tenor, bass, continuo.
PLEASE NOTE: This edition does not include a continuo realization.
If you require one, please tick the box. Remember, it may take a week to produce a continuo part.
If you plan to perform this work with a large choir, please email us to negotiate a reduced price for more copies.