Vocal music

Compiete (Compline), 1662

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  • Description

If the most popular publications in the 17th century were masses and sets of Vespers psalms, many composers also issued settings of music for Compline. Legrenzi's 1662 set includes glorious versions of the Marian antiphons that were specific to each of the four liturgical seasons.

Edited by Brian Clark.
80pp, printed on quality paper and finished by Ingram Spark.
Scoring: Soprano, alto, 2 tenors, bass, continuo

Click HERE to see the first page of the score.

Performance material by negotiation.

Alma Redemptoris mater

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  • Description

From the composer's Sentimenti Devoti, op. 6.

Edited by Brian Clark.
8pp.
Scoring: 2 sopranos, continuo.

Click HERE to see the first page of the score.

Alma Redemptoris mater

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  • Description

Part of the sequence of music for Compline, 1662.

Edited by Brian Clark.
8pp.
Scoring: SATTB, continuo.

Performance material by negotiation.

Click HERE to see the first page of the score.

Ave Regina coelorum

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  • Description

From the composer's Sentimenti Devoti, op. 6.

Edited by Brian Clark.
8pp.
Scoring: Soprano, Alto, continuo.

Click HERE to see the first page of the score.

Ave Regina coelorum

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  • Description

Part of the sequence of music for Compline, 1662.

Edited by Brian Clark.
8pp.
Scoring: SATTB, continuo.

Performance material by negotiation.

Click HERE to see the first page of the score.

In te, Domine, speravi

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  • Description

Part of the sequence of music for Compline, 1662.

Edited by Brian Clark.
16pp.
Scoring: SATTB, continuo.

Performance material by negotiation.

Click HERE to see the first page of the score.

Laudate Dominum

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  • Description

Printed in the composer's Concerti Musicali of 1654, this setting for SATTB is marked "à 5. da Capella".
The work is in two contrapuntal sections of similar length, the first setting the verses of the psalm, while the second is devoted to the Gloria Patri and Amen.

Edited by Brian Clark.
8pp.
Scoring: SATTB, continuo.

Performance material by negotiation.

Click HERE to see the first page of the score.

Memoriam fecit

 
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  • Description

Edited by Brian Clark.
12pp.
Scoring: Alto solo, Tenor solo, continuo.

Click HERE to see the first page of the score.

Regina coeli laetare

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  • Description

Part of the sequence of music for Compline, 1662.

Edited by Brian Clark.
8pp.
Scoring: SATTB, continuo.

Performance material by negotiation.

Click HERE to see the first page of the score.

Salve Regina

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  • Description

Part of the sequence of music for Compline, 1662.

Edited by Brian Clark.
12pp.
Scoring: SATTB, continuo.

Performance material by negotiation.

Click HERE to see to first page of the score.