Edited by Clifford Bartlett.
12pp, printed on quality paper and finished by DU Print.
This is a corrected re-typesetting of Clifford's original edition.
Scoring: 4-part strings and continuo.

Click HERE to see the first page of the score.

Clifford Bartlett's ground-breaking edition of Purcell's most popular work has been re-typeset (and corrected) and is now available on quality paper and finished by Ingram Spark.

Buying this score does NOT give you the right to perform in on stage or record it. Performance materials (by agreement) can only be supplied after a contract has been signed and appropriate fees paid (where relevant; special dispensation for academic and community projects).

Please EMAIL for details.

72pp, printed and perfect-bound by Ingram Spark.
ISMN 979-0-708142-70-6

Click HERE to see the first page of the score.

Buying this score does NOT give you the right to perform in on stage or record it. Performance materials (by agreement) can only be supplied after a contract has been signed and appropriate fees paid (where relevant; special dispensation for academic and community projects).

Please EMAIL for details.

Clifford Bartlett's edition of this perennial favourite has just be newly typeset (click HERE to see the first page).

Buying this score does NOT give you the right to perform in on stage or record it. Performance materials (by agreement) can only be supplied after a contract has been signed and appropriate fees paid (where relevant; special dispensation for academic and community projects).

Please EMAIL for details.

This edition was a collaboration between Clifford Bartlett, Peter Holman and Maxwell Sobel. It was commissioned by and premiered at the Boston Early Music Festival.

Buying this score does NOT give you the right to perform in on stage or record it. Performance materials (by agreement) can only be supplied after a contract has been signed and appropriate fees paid (where relevant; special dispensation for academic and community projects).

Please EMAIL for details.

When I first typeset this for Clifford Bartlett in the 1990s, he decided that the music was more suited to the violin than the recorder, despite the fact that his introduction stated that the only surviving autograph fragment of the piece referred to a piece for "flutes" (meaning recorders). I have produced a cleaner version of that edition (and cleaned up a few errors) and produced this new version in F for recorders.

Edited by Brian Clark.
8pp, printed on quality paper and finished by DU Print.
Scoring: 3 alto recorders, continuo.

Click HERE to see the first page of the score.

Click the option below if you want the version in D for three violins and continuo.