Dating from 1735 – by which time the composer had been Vice-Maestro at the Imperial court in Vienna for 20 years – this through-composed psalm setting for two male soloists is a familiar blend of his ingenious counterpoint and flowing (ear-worming!) melodies.
Edited by Brian Clark & Maxwell Sobel.
16pp, printed on quality paper and finished by DU Print.
Scoring: Tenor, Bass, 2 violins, continuo.
Click HERE to see the first page of the score.
Performance material by negotiation. Contact us for details.