From a set of motets for solo voice, strings and continuo, published in 1692 (after the composer's death) by his nephew.
Edited by Brian Clark.12pp.Scoring: Soprano solo, 2 violins, violoncello, continuo.
Click HERE to see the oprning of the score.
This motet appeared in the posthumous print of solo motets that Legrenzi's nephew (and heir) had printed in 1692. It sets an unknown text for the feast of the Resurrection and has a typical late 17th-century patchwork structure, alternating arias with declamatory passages.Edited by Brian Clark.12pp.Scoring: Alto solo, 2 violins, violoncello, continuo.
Click HERE to see the opening of the score.
This is the only surviving piece of church music by Legrenzi to use a solo trumpet. The text is a popular psalm in Vespers services, including the popular Marian sequence.
Edited by Brian Clark.44pp.Scoring: SSATB, trumpet, 5-part strings, continuo.
Performance material by negotiation.
Click here to see the first page of the score.