This cantata (for the 4th Sunday after Epiphany, 1724) takes the following form: 1. Accompagnato (Tenor, strings, continuo) 2. Chorus (SATB, strings, obbligato bassoon & violoncello, continuo) 3. Aria (Tenor, oboe, strings, continuo) 4. Recitative (Bass, continuo) 5. Aria (Bass, strings, continuo) 6. Recitative (Tenor, continuo) 7. Chorale (CATB, strings, continuo).
Edited by Marco Schneider and Johanna Schatz.36pp.Scoring: SATB, oboe, bassoon, cello, 2 violins, viola, continuo.
Performance material by negotiation.