Antonio Bertali

Antonio Bertali, Kapellmeister to the Hapsburg court in Vienna and one of the 17th century's most famous violinists

Sonata Sancti Placidi

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The manuscript source of this stunning piece for no fewer than 13 instruments and continuo is dated 1672: two violins, four violas (two soprano and two alto), two trumpets in C, two cornetti and three trombones (two alto and one bass), and violone/organo.

Edited by Brian Clark.
20pp. Printed and finished by Dundee University Print Unit.

Click HERE to see the first page of the score.

Chiacona

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Edited by Brian Clark.
8pp.
Scoring: Violin solo, continuo.
PLEASE NOTE: This edition does not include a continuo realization. Being based on a repeated bass pattern, it is an excellent piece in which to practise improvised accompaniments.

The edition includes the Kromeríž version with an appendix including the final section that is only in the Wolfenbüttel source.

Dixit Dominus

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Edited by Brian Clark.
16pp.
Scoring: SSATB, 2 violins, 2 violas, continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.

Ecce illuxit nobis

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Bertali's setting of the Offertory for Christmas uses recorders to evoke a pastoral atmosphere.

Edited by Brian Clark.
28pp.
Scoring: SSATTB, 3 recorders, 2 violins, viola, continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.

Justus germinabit

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This setting of a text for the feast day of a Doctor Confessor of the church, might be used to celebrate St. Bernard.

Edited by Brian Clark.
28pp.
Scoring: SSATTB, 6 viole, continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.

Laudate Dominum

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Edited by Brian Clark.
8pp.
Scoring: SATB, 2vn, continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.

Laudate pueri Dominum

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Edited by Brian Clark.
8pp.
Scoring: Alto, 2 violins, continuo.

Click here to see the first page of the score.

Magnae dies laetitiae

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Edited by Brian Clark.
24pp.
Scoring: SSAATTBB, 3 viole, 4 trombones, continuo.

The voice parts are marked "solo" and "tutti" at various points suggesting Bertali expected concertino and ripieno singers. If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.

Miserere mei Deus

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Edited by Brian Clark.
28pp.
Scoring: SSATB, 3 viole, continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.

Missa Lacrymarum

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Edited by Brian Clark.
52pp.
Scoring: SATB, 2 violins, 3 violas and continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.

The Viennese Mass, Vol. 3

Missa Resurrectionis

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Edited by Brian Clark for Simon Carrington and Schola Cantorum at Yale.
84pp.
Scoring: SSAATTBB, 2 violins, 4 viole, 2 trumpets, 2 cornetti, 5 tromboni, continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.

The Viennese Mass, Vol. 1

O Virgo Virginum

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Edited by Brian Clark.
16pp.
Scoring: SSATTB, 2 violins, 4 trombones (one editorial), continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first few pages of the score.

Omnes sancti angeli

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Edited by Cosimo Stawiarski.
20pp.
Scoring: Bass, 2 violins, viola / trombone, continuo.

Click here to see the first page of the score.

Edition Musica Poetica: Geistliche Harmonien, Band 18.

Sonata a5 in F "1000 gulden" [1]

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Edited by Brian Clark.
16pp.
Scoring: 2 violins, 3 violas, bassoon and continuo.
PLEASE NOTE: This edition does not include a continuo realization. If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

Sonata a6 in E minor

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Edited by Brian Clark
8pp.
Scoring: 2 violins, 3 violas and continuo.
PLEASE NOTE: This edition does not include a continuo realization. If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

Sonata a6 in F "1000 Gulden" [2]

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Edited by Brian Clark.
12pp.
Scoring: 2 violins, 3 violas, violone and continuo.
PLEASE NOTE: This edition does not include a continuo realization. If you require one, please tick the box. Remember, it may take a week to produce a continuo part.

Click here to see the first page of the score.

Sonata a8

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Edited by Brian Clark.
8pp.
Scoring: 2 violins, gamba, 5 viole, continuo.

Click here to see the first page of the score.

Sonata a 2 chori

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This is essentially a work for two violinists (Bertali and Schmelzer?) and two gambists; one coro has violas, the other trombones.

Edited by Brian Clark.
12pp.
Scoring: 2 violins, 2 viole, 2 gambas, 3 trombones, continuo.

Click here to see the first page of the score.

Six sonatellae

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These six short pieces work equally well with strings or winds, and have also survived for recorders. They can be played as dances, or even in the context of church services.

Edited by Brian Clark.
16pp.
Scoring: 2 violins, 2 violas, violone and continuo, or 2 cornetti, 3 trombones and continuo.

Click here to see the first page of the score.

Veni Sancte Spiritus

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Edited by Brian Clark.
16pp.
Scoring: SSATTBB, 2 violins, 3 viole, trombone, continuo.
If you plan to perform this work, please email us with the details so that we can offer a package.

Click here to see the first page of the score.